whose period was known as golden age of kangra school of miniature painting
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Maharaja Sansar Chandra Museum
The Erst-while Royal Family of Kangra has dedicated their Museum to honor Maharaja Sansar Chandra their ancestor who's reign was known as the golden age of Kangra. Maharaja Sansar Chandra inherited the throne of Kangra when he was just 10 years old. By the age of 21 he had defeated the Mughals and had won back his ancestral fort of Kangra. True to the saying He who hold's the Fort rules the hills The young Maharaja ushered in an age of prosperity and the Indian renaissance of paintings.

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Dedicated to Maharaja Sansar Chandra
The Erst-while Royal Family of Kangra has dedicated their Museum to honor Maharaja Sansar Chandra their ancestor who’s reign was known as the golden age of Kangra. Maharaja Sansar Chandra inherited the throne of Kangra when he was just 10 years old. By the age of 21 he had defeated the Mughals and had won back his ancestral fort of Kangra. True to the saying “He who hold’s the Fort rules the hills” The young Maharaja ushered in an age of prosperity and the Indian renaissance of paintings.
The period 1786-1805 was the Golden age of Kangra. Maharaja Sansar Chandra established law and order in his vast empire, at its peak it his empire stretched from Lahaul-Spiti to the plains of Hoshiarpur [18000 sq.miles].
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Kangra painting
Kangra painting
From Wikipedia, the free encyclopedia
, attributed to Khushala, son of Manaku. Kangra, c. 1780-1790. Philadelphia Museum of Art
Kangra painting (Hindi: कांगड़ा चित्रकारी) is the pictorial art of Kangra, named after the Kangra State, a former princely state of Himachal Pradesh, which patronized the art. It became prevalent with the fading of Basohli school of painting in mid-18th century,[1][2] and soon produced such a magnitude in paintings both in content as well as volume, that the Pahari painting school, came to be known as Kangra paintings.[3]Though the main centres of Kangra paintings are Guler, Basohli, Chamba, Nurpur, Bilaspur and Kangra. Later on this style also reached Mandi, Suket, Kullu, Arki, Nalagarh and Tehri Garhwal (represented by Mola Ram), and now are collectively known as Pahari painting, covering the style that was patronized by Rajput rulers between the 17th and 19th centuries.[4]
Pahari paintings, as the name suggests, were paintings executed in the hilly regions of India, in the sub-Himalayan state of Himachal Pradesh.[5] It is in the development and modification of Pahari paintings, that the Kangra School features. Under the patronage of Maharaja Sansar Chand (c.1765–1823), it became the most important center of Pahari painting.
To see some of these masterpieces one can visit the Maharaja Sansar Chand Museum, adjoining the Kangra Fort in Kangra Himachal, founded by the erstwhile Royal Family of Kangra.
History[edit]
by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art
This great art originated in Guler State, a small hill state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in Mughal painting Style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler. The rise of Guler Paintings started in what is known as the Early phase of Kangra Kalam. The new arrivals mingled with the local artists and were greatly influenced by the atmosphere of the hills. Instead of painting flattering portraits of their masters and love scenes, the artistes adopted themes of eternal love between Radha and Krishna. The paintings were naturalistic and employed cool, fresh colors. The colors were extracted from minerals, vegetables, and possessed enamel-like luster. Verdant greenery of the landscape, brooks, springs were the recurrent images on the miniatures.
Nainsukh (1710–1778), succeeded by two generations of his family workshop, introduced a distinctive style that combined Mughal elements with personal innovations.
This style reached its zenith during the reign of Maharaja Sansar Chand Katoch (r.1776–1824) who was a great patron of Kangra art. Being a liberal patron, the painters working at his atelier received large commissions while others accepted a permanent settlement in the form of lands. Maharaja Sansar Chand was an ardent devotee of Krishna and used to commission artists to paint subjects based on the loves and life of Krishna.
The Guler-Kangra art is the art of drawing and the drawing is precise and fluid, lyrical, and naturalistic. In these styles, the faces are well modeled and shaded so judiciously that they possess almost porcelain-like delicacy.
Themes[edit]
. Kangra, c. 1780. Kronos Collections
The focal theme of Kangra painting is Shringara rasa. The subjects are seen in Kangra painting exhibit the taste and the traits of the lifestyle of the society of that period. Bhakti cult was the driving force and the love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. Bhagavata Purana and the love poems Gita Govinda by Jayadeva were the most popular subjects dealing with the legends and the amorous plays of Radha and Krishna symbolizing the soul’s devotion to God. In some miniatures, the blue-god Krishna is seen dancing in the lush woodlands and every maiden’s eye is drawn to him. Krishna subjects, known commonly as Krishna-Lila predominate, while the themes of love, inspired by the Nayaks and nayikas and baramasa enjoyed great favor. The sentiment of love remained the inspiration and the central theme of Pahari painting. The Sat Sai depictions of the legendary lovers, on the other hand, were set against an architectural background with walls, balconies, and windows. Kangra paintings influenced by the Bhagavad Purana portrayed incidents from the life of the young Krishna, against the Brindavan forest or river Yamuna. The other popular themes were the stories of Nala and Damayanti, and those from Keshavdas's Baramasa.
whose period was known as the golden age of kangra school of miniature painting – En News
whose period was known as the golden age of kangra school of miniature painting Approved answer whose period was known as the golden age of the Kangra school of miniature painting Kangra painting - Wikipedia Under the patronage of Maharaja Sansar Chanda (c. 1765–1823), it became the most important center of Pahari painting. To view […]
whose period was known as the golden age of kangra school of miniature painting
2023-03-18 12:34
whose period was known as the golden age of kangra school of miniature painting
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whose period was known as the golden age of the Kangra school of miniature painting
Kangra painting - Wikipedia
Under the patronage of Maharaja Sansar Chanda (c. 1765–1823), it became the most important center of Pahari painting. To view some of these masterpieces, you can visit the Maharaja Sansar Chand Museum, located adjacent to the Kangra Fort in Kangra Himachal, founded by the erstwhile Kangra royal family.
Pahari painting | art | Britannica
By 1770, the lyrical charm of the Kangra school was fully established. It reached its peak in the early years of the reign of one of its important patrons, Raja Sansara Chanda (1775–1823). The school was not confined to Kangra State but spread throughout the Himalayan foothills with many distinctive idioms.
Mughal and Kangra Schools of Indian Mughal Miniatures
Kangra School. Each of them has been ... The Jahangir School of Painting is a treasure in itself. It was the golden period of miniature paintings in Indian art. Very famous painters of Jahangir ...
Paintings for patrons Miniature tradition Miniature ...
Kangra artists by the middle of the eighteenth century established a style which breathed a new spirit into miniature painting. Inspired by the Vaishnavite tradition, these paintings had many notable features, such as the inclusion of soft colors such as cool blues and greens, as well as a lyrical treatment. from the topic.
Pahari Miniature Paintings - Origins and Great Masters
Rajah Govardhan Chand (1743–1773), ruler of Guler, had already established a school of painting in Haripur at that time, and he received the painter and his family. Some artists worked there since the time of his father Dalip Singh.
Kangra Pahari School of Painting - IndiaDivine.org
As the Basohli school of painting began to decline in the mid-18th century, the Kangra school soon rose to prominence, producing such a large volume of paintings both in content and number of individual works that the vast Pahari school itself became known as Kangra.
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